The Career RelaunchPodcast

📄 Interview Transcript

Joseph: I am looking forward to talking with you about a lot of your geographical transitions, and the ups and downs you’ve experienced along the way, your recent decision to start your own architectural firm. But I’d love to start by just first getting a snapshot of your life right now. What are you focused on both personally and also professionally at this moment?

Dorna: [02:55] For me, they are not really separated from each other. Maybe being a designer, I have always lived, eat, breathed design, sort of an attitude. My life is design and it’s really intersectionally going forward together. But my focus these days mostly is, of course, establishing my life here in the new country, new city, finding new friends, new colleagues, new collaborators. I’m figuring out what’s next.

Joseph: You haven’t always lived in Amsterdam. So, let’s start at the beginning and move forward from there. I’d like to actually go all the way back to your childhood when you grew up in Iran, which is where you’re from. What do you remember about your life in Iran as a child?

Dorna: [03:45] I think after coming to Europe, my biggest memory of Iran relates to the sun. It was a very sunny part of the world. Especially when you are a child, maybe you are more curious. You see more, you observe more. So I remember a lot of patterns, a lot of colors. We live in a part of the world where the sun is available. So a lot of architecture and a lot of things are built around it. The shadows. The concept of actually shadowed spaces and sunny spaces or light spaces. So there’s a lot of things about the architecture. Of course, I remember, but then, I came from a family where architecture was important or art was important. So maybe that’s why most of my memories are around it as well. Or maybe I was just curious as a child to become an architect, I don’t know.

Joseph: Were your parents also involved in some sort of design or architectural industry?

Dorna: [04:49] My dad is a civil engineer and my mom is an artist, or used to be. It was never a profession, but she was just into art. So she would paint and make a lot of things. As a child, I was a very preserved child. I wouldn’t show so much of my emotions. To help me to show more as a child, my mom taught me that I can create things and show things with creating stuff. I had ended up sewing, knitting, and all of those little things that a child can do. Painting, and writing cards and notes, and things like that. So that was my daily routine of creating.

Joseph: In most cases on this show, we would typically feature somebody who has a certain professional background and then they switch sectors and they maybe switch roles within a company. Now, in your case, you from a very early start, wanted to become an architect. At what point did you realize that and how did you know you wanted to become an architect?

Dorna: [05:44] Yeah, the thing is I didn’t have the title, so I didn’t know what I wanted to become is an architect. That was the whole. But I knew that I love to create and I love to do things within spaces. For many years, I had a title for myself. I called myself the psychologist of spaces. Because I really thought, or I still believe that, that you can somebody’s feelings, emotions, habits, a lot of things about how easy your life is by having good space. And then, as a child, I called myself a psychologist of space, of course.

But then, my best friend then was an architect. One evening, I saw a book in their home, which is the drawing of, or a picture of, the Frank Lloyd Wright’s waterfall house, the Fountain House. And then, when I saw that, this interaction between outside, inside was so interesting, and how the waterfall had gone under that building and all of these beautiful things. So I went to his father and said, “What should I do? What kind of profession should I have to be able to do this?” He said, “You need to be an architect.” That was the day I realized I needed to be an architect.

Joseph: For those people out there like me who have never been to Iran, how would you describe the overall professional scene in the city where you grew up?

Dorna: [07:23] When I left Iran, I was quite young. I was 24. So I can’t really say much about the professional scene because I worked only a few years there. But generally speaking, architecture and civil engineering, which are the dominant jobs in the field, are quite masculine. So you don’t see so many females on the — I didn’t. I don’t know, maybe now, it has changed. All I remember was that you needed some sort of support from somebody. But then, that can also come from the fact that I was very young. So I needed mentors and people who would help me. Generally, Iran is a country full of architecture. There is a big history and a very rich history about architecture in that part of the world, so you learn a lot. But it’s not practiced that way, of course, anymore.

Joseph: What ultimately led you to decide to leave Iran behind?

Dorna: [08:26] I don’t think you make this decision in Iran. You kind of grow with it, which is a kind of sad part of their story because it’s, according to me, one of the best places to be. Due to the whole situation in that part in the Middle East, with all the complications it has, I think as a child, if you have the ability to grow and learn and are curious enough to leave, you are kind of encouraged to do it from a very young age. That was the same for me.

I learned English when I was quite young. I started learning English at a very young age. And then, before you know it, when I felt like everything was settled and I’m now an architect and I can take care of myself and everything, it was time to be curious and leave. I cannot really say it was a decision made, but maybe it was, but it was also grown in me. It’s a very complicated thing to say. But generally speaking, comes out of curiosity to learn more and to see more. Because, obviously, I went to study. That’s how I left. The decision was not there if I was going back or not.

Joseph: What year was this?

Dorna: [09:36] 2010. That’s when I left the first time.

Joseph: This is not a political show. But, obviously, at the time, things were probably a bit unstable sanctions in place.

Dorna: [09:48] Yes.

Joseph: And so, I would imagine.

Dorna: [09:49] As a young person, of course, you have a future in front of you and you want to build and create, but you also know that things are not going to get better and the opportunities are not going to rise. I already see a lot of friends who are there. Imagine the inflation rate and all of these things are affecting your career, and your decisions, and all of that. So taking risks is harder. Hope, maybe; having a hopeful future is harder. In that sense, I think. Of course, I don’t regret that decision, but anyway, it’s your hometown. You have friends, and family, and memories, you speak the language. It’s a different thing.

Joseph: Just to switch gears here and talk about the next chapter of your career. Where did you go and how did you decide on where to go next?

Dorna: [10:43] First destination was Malaysia, Kuala Lumpur. That really just happened. Because I actually had been admitted to study architecture in Oxford. That day that I was supposed to get my ticket, I couldn’t. Oxford just said, “Oh, you’re too late.” I was like, “Okay, now what?” I had a friend who knew a few people in Malaysia. He was just like, “Yeah, why not go to Malaysia and see how it is?” I’m like, “Sure, let’s do that.” And then, I went to Malaysia, Kuala Lumpur. I went to the school, talked to a few people, liked it there. I said, “Okay, I want to study more of architecture.” And then, I started actually interior architecture. And then, after that, I worked a little bit. I worked at the school. I worked at an American company in design. And then, while I was there, I decided that I didn’t want to stay there. It didn’t feel like a place for me to want to build my future, like to call home. That’s when I decided to move towards Europe and see what is Europe.

Joseph: Now, I know you just mentioned you just got to have a friend, and then you end up moving to Kuala Lumpur. Did you have the means to just pick up and just move to a new country? It seems like a big leap to make. I guess immigration wasn’t an issue for you going into Malaysia.

Dorna: [12:09] When I went to Malaysia, first of all, I was not thinking that I was immigrating.

Joseph: I see.

Dorna: [12:13] In my head, I was going on this street to see what was happening. And then, I ended up staying. I was not even a student at the time. I went there, and I went to school, and I liked the school, and I stayed. The whole thing. Generally speaking, I always have been told in my life that I’m a very brave person. Up until a few years ago, I kept saying, “No, what’s brave about me?” But I have started to realize, maybe I am brave or braver than I think.

Joseph: Yeah.

Dorna: [12:41] Now, it’s funny for me when I think about it. What was I thinking? Twenty-three-year-old, and then you just go somewhere and you are like, “Oh, this is cool. I want to learn. Oh, my God, look at these buildings.” Because being in Iran, of course, you have all of these historical sites, and old vernacular, and clay architecture, and colors, and everything. I was in Kuala Lumpur with skyscrapers, and new modern technologies. Architects from Australia, America, Europe. Everybody was in Kuala Lumpur building something. So it was really a new theme of architecture. I was like this little kid who was in a candy store. It’s like, “Oh my God, look at this, and look at that, and look at this.” It was fun.

Joseph: Before we talk about your next move, you mentioned that you didn’t quite see your future there. What was it about being there that led you to believe that you didn’t envision yourself being there long-term?

Dorna: [13:43] I think it was mostly about the fact that — maybe this is too extreme to say it this way, but I didn’t feel safe as a citizen. Funnily, for me, I know this is not an impression for a lot of people, Iran was safer and more convenient to be at. Of course, this can come from the fact that I was an immigrant. So it’s a different level. You look different. Whatever you do, you look different.

And then, of course, we all know being a woman, it’s also another minority, a little bit, in our business, which is architecture, real estate, things like that. I didn’t really see myself building what I envisioned because I think, especially at that time, I was seeing myself like I wanted to be a Frank Lloyd Wright. That’s how I started the whole journey and that was not happening there. I couldn’t see that. I still was lacking some sort of trust in my surroundings or some sort of trust in what I want to build. That was not there for me yet. That can also come from the fact that I was a junior in Malaysia. It’s like you just graduated architecture school. You are super young.

Joseph: Yeah, that’s interesting. I do think that sometimes in our careers, and I consider myself quite a logical left-brained individual. But sometimes, you can just kind of feel that nothing is really going to progress where you’re at. You can just kind of feel it. You can kind of tell that there’s not really a future for you in this location, or this organization, or this sector, and you have to do something about it. Otherwise, you’ll just stagnate.

Dorna: [15:27] Funnily, now, every day, I’m trying so hard to go back to that because I think the older I got, the more I saw, the more wisdom came, the more doubt in my instinct also came with it. And then, when you are young, your instincts are talking really loud and clear. You trust them and you go for it, and that’s what everybody calls “young and crazy.” But I really now hope I can become young and crazy every day in my life. That would be fantastic.

Joseph: Right. So speaking about another potentially young and crazy move, you decided to move to Europe.

Dorna: [16:07] Yeah.

Joseph: Where did you end up going and why did you choose that destination?

Dorna: [16:11] I went from Kuala Lumpur, the city of never-ending summer to Oslo, part of the world that is well known for its lack of sunlight. Oslo was practically to do my master’s. My destination was Europe. That I knew the way to come to Europe for me in my head was to do my master’s. The main focus was, of course, architecture and design.

Joseph: This was general design.

Dorna: [16:42] Yeah, general design, exactly. But, of course, within space. So that’s what I wanted to do. And then, I sent applications to a few universities, among which National Academy of the Arts in Oslo gave me admission. At the time, I had to choose, of course, between these universities when I got, because I got admission from a few. The question was, “Which is my destination?” I didn’t really choose it based on the geography, but based on the school.

I did some research and National Academy of Arts where I was admitted to do a Master in Design at the best workshops available in Europe. Me, coming from this background in architecture where I had all the theory in my pocket, could really benefit from being somewhere where I can actually be hands-on and create with my hands, not only with my brain. That opportunity was 100% available in Oslo. I took that chance and I went there, and I can say it was one of the best experiences. Those two years at that school, I did a lot of hands-on work, and I learned a lot about construction.

Joseph: So it sounds like from an educational standpoint, this was a really positive move in your life.

Dorna: [18:03] One hundred percent.

Joseph: How would you describe how this move felt compared to your move going from Iran to Malaysia? Was it the same? Is this one of those quite modular skills being able to make an international move? Was it easier? Was it harder? How did it compare?

Dorna: [18:22] Iran was different from Malaysia, and Malaysia was different from Norway. Every country has its own ups and downs, and difficulties and challenges. So I can’t really put that on scale. But definitely, it was scarier for me to this time move. One thing that was very apparent and immediately tangible was the difference in the culture.

I came from a culture that was very giving, very social, and very warm and open to a culture that was quite preserved, very colder than my hometown and things like that. It was a challenge to figure out what now or how. There are these unwritten rules, I said, or social aspects that you have to learn or social codes that you have to crack. That was a challenge.

Joseph: You’ve touched on this. I wouldn’t mind going a little deeper into this because I think it’s a realistic consideration when you’re moving countries. You’ve talked about being a minority, both first of all, as a female in a quite male-heavy industry, but also a minority in the sense of being a minority as an immigrant in Oslo.

I was looking up some stats on this, and I was actually surprised, because I’ve been to Oslo before, and I had expected the immigration figures to be lower, but immigrants makeup about 35% of Oslo’s population, give or take. As a comparison in London, which is where I’m based, it’s around the same. It’s around 38%. I would have expected a slightly larger difference. New York City, it’s about 36%. But at the same time, regardless of whether it’s 36 % or half or 10%, you still recognize that you’re an immigrant in a country and you feel that.

Dorna: [20:11] Yeah.

Joseph: How much did that play into your life there? Were there any issues or challenges you faced either personally or professionally?

Dorna: [20:18] I mean, 100%, there are issues and challenges. I mean, as I just said, like there’s this unwritten user manual that you need to know. Nobody gives that user manual to you at the airport. You just come in and you have to kind of crack the code yourself. It depends on how open you are to trying. That also takes a lot of courage.

One aspect, of course, is the social aspect of the life in the Nordics, how you’re going to make new friends. Nordic people generally are more preserved in letting people inside their inner circles. They are also more concerned about social interactions. It’s harder to walk in Oslo and say, “Hello. Good morning,” to any stranger than it is in anywhere else in the world. Those little things, especially for me, coming from a culture where you see your neighbor and say, “Hey, have a good day!” It was a different thing. It was really challenging. I might say, at times, depressing, I was not used to this. I was not used to hiding and not saying anything and pretending that I don’t see or things like that, in social context.

In a professional context, it even gets more challenging, especially after I graduated. Because at school, everybody spoke English and it was really an international community, and you could meet people. But then, I started looking for jobs. The first ad job I got was, “Maybe you should consider changing your name.” I’m like, “To do what?” Because you come out of your school and you think, “Oh, my skills matter.” But somebody is telling me, “No, your name matters.” Of course, this is on debating. Also, they are aware of the problem, and they are addressing it in different channels and media. Then I realized, “Oh, my God. I am an outsider.”

Joseph: Speaking of the professional world there then, what were you doing at the time and what sort of firm were you working for in the architectural sector there after you had graduated from the National Academy?

Dorna: [22:36] I studied interior architecture and furniture design in the academy. The plan was to do interior architecture, which is a less male-dominant industry. The thing is, during my studies, I was an artist assistant. I was helping an artist, Inghild Karlsen, to create sculptures and things like that. She was very artistic and, of course, I had the knowledge of construction, which together would be a really good teamwork.

When I graduated, I still was working with her. I also found another part-time job. I worked as a material scientist for a small product design company called HOOS. And so, my work was to research what new materials we can create to build product and furniture with, which was a very, very fun job.

But, unfortunately, I could not keep any of these two if I wanted to stay in Oslo, because I was, after all, an immigrant and coming from the Middle East, I needed a Visa. For that, there were rules and regulations. According to the rules, I needed a full-time job or a job that was about 80% within my field of studies. So, I ended up working as an interior architect in a firm that I one of the big firms in Oslo. I stayed there for a while. And then, after three years in Metropolis, I quit. I went to Radius, where I experienced a lot more fun working environment. And then, Radius ended up to Studio Lakayan, which is the small design studio I have today.

Joseph: So let’s talk about that transition. It sounds like you’re working in various architectural capacities in the interior architectural space.

Dorna: [24:38] Yeah.

Joseph: At Metropolis, and then eventually Radius Design. What were you thinking at the time? Were you thinking you’re going to just continue to work as an employee at these companies? Or at what point did you start to think, “Hey, I might want to do my own thing”?

Dorna: [24:51] Actually, I thought I will work at Radius for a long time. That was in the background when I started there. Like any other person, this corona event had a big impact on me as well. Especially, being in Oslo, in winter, darkness, fitting home, and working alone behind your computer with no social interaction, you start thinking and rethinking your life a lot.

Joseph: This was 2020 to 2021, is when you were there.

Dorna: [25:22] Yeah, exactly. I had a chat with my best friend and we are walking and she said, “But if you could do anything, like if you had the means to do anything you want to do, what would you do?” I said, “Oh, I wish then I would start my own studio.” And then, she’s like, “Why don’t you?” I’m like, “Well, I can,” and the whole thought began. So, it was a corona wish list, let’s say. Of course, I pursued it. I did some research. I saved money, all of the ABCs of “Let’s do this, and let’s be brave about it.” Of course, I can fail or not.

Joseph: What was appealing about the idea of starting your own studio compared to working for an established firm?

Dorna: [26:17] The biggest thing was the freedom of having a vision. Everybody who is in design or architecture is also aware of the fact that there are so many different signatures in design. When you work in big firms, you kind of lose that signature of your own. If you want to have that kind of vision and think in a very specific way or challenge some specific things, you need to either be very lucky or work with a very, very small team of people. That’s kind of what I decided to do, to change direction and work with the smaller team. It sounds like I’m one person, but in architecture, you are never one person. That’s the whole thing. You always have a team. But, of course, now I handpick that team.

Joseph: If you can go back in time for a moment, Dorna, when you think back to those early days of making that decision to officially make the transition from employee to entrepreneur, what excited you about it, and what scared you about branching off on your own?

Dorna: [27:35] There were, of course, two things. One that, “What if I can’t? What if I can’t deliver?” Because, okay, I knew I can do a project A to Z, and I knew my abilities, and everything, and the skills. But I also knew it takes a lot to deliver a good project. My colleagues at the firms I was working with were working day and nights to do that, and I was a part of that team doing it. Now, I have to be that team myself. That was the scary part.

Of course, like anybody else, financial worry. I won’t have a pay check, but I still have a rental. The whole “bills to pay.” What if I cannot earn money? What would happen? That is the day you learn that either you are brave to do it or you just have to leave it. I decided to just be brave and do it.

Exciting? Creating, I think. But that is always exciting for me. It doesn’t really matter what team I am in. I think that the moment you tell me that there’s a possibility that I can create, like I’m above the skies all over. Creating is what drives the whole cart.

Joseph: Before we talk about some of the things you’ve learned along the way of your career journey, you did make one more change, which is why you’re not in Oslo doing this interview and you’re actually in Amsterdam, what prompted you to make that move?

Dorna: [29:15] Yes, I moved to Amsterdam. I think this decision was really about reinventing myself. Not as an architect only, but as a person. I spent a decade in Oslo, and I met fantastic people, and I built a lot of things there. And then, I also had a lot of opportunities to learn, I would say. But when I was successful a year ago there and I was looking at my future, I thought to myself, “So, is this it? Am I now happy?” If this is like where I want to be, and who I want to be, and what I want to have? I felt not. I felt I’m missing something.

And then, I started actually digging in and seeing what I want to do then about it. What is it that I want? I mean, of course, one thing also was about the weather conditions in Oslo. That’s also another thing. And then, that moment was the moment that I was like, “Okay, where can I feed that part that is missing?” I needed a little bit of a bigger design theme, and a braver design scene as well in my head, more open. That kind of led into Amsterdam.

Joseph: I know that sometimes moving to a new country can be a challenge. Although, you’ve now tackled that a few times successfully. Another thing that can be a challenge is working on your own. I know that you work with a team. But starting your own business on your own, having worked in already established businesses, how has that transition been for you to go from employee to business owner?

Dorna: [30:56] Seriously, I’m not going to sugar-coat it. It’s not easy.

Joseph: What’s the toughest thing about it?

Dorna: [31:04] Some days, I feel like the toughest thing is waking up to nothing. There is no project. There is no potential project, or potential collaborator, or potential anything. But you still are so enthusiastic about doing it; that you wake up, and you hit something, and you find something, and you make a good day out of it. I think the challenge is to stay enthusiastic. That’s easier said than done, seriously.

I mean, now, we talk about all of these moves that I made and we call it successful, but It’s not also easy to do that. To come from one country to another and to start over, to have no friend, have no family, have no support, have nothing to lean on, to start over, go out and be brave enough to just say, “Hey, my name is Dorna. I want to be your friend,” or “I want to work with you,” or any other sentence that comes after. Some cultures are more open. It makes it easier. Some cultures are not. It’s really challenging to do it. I cannot say that I’m successful yet or not. I have a lot of successes. There is still a long, long, long way to go.

Joseph: It does take a lot of energy to start over and to rebuild, to re-acclimate yourself to a new culture, and to find new friends. How have you found the social scene there, and also what I’m going to describe as the professional social scene, where your ability to network with other people in the industry? How has that been for you there in Amsterdam? How would you describe that scene as someone from the outside?

Dorna: [32:52] It is a very open scene. It’s a very welcoming scene, I would say also. People look at my portfolio or my work or people talk to me, I get a lot of great comments about my work, which is very encouraging. But at the same time, of course, one goal is to be a part of a circle, one goal is to work in that circle. To work in that circle, I still haven’t figured out. It’s developing and it’s getting better and better. I’m meeting more people. But to just go in and say hello, I have had a lot of success. They are really open to hear your story and to introduce you to the next person who might be interested in your story and things like that. So that is developing, and I think it’s just like a maze or a puzzle. You have to just be patient and put more and more pieces to your future map.

It’s joyful, but it’s also, as you said, tiring. It takes a lot of energy to find where to be, where to meet these people, to send a lot of emails. Not all of them reply. Not everybody replies. To call people and say, “Hey, I have sent you an email by the way.” All of those things, it’s really like I say, more than a full-time job just to socialize.

Joseph: I know what you mean. I run my own business, Dorna, as you know.

Dorna: [34:25] Yeah.

Joseph: I think one of the most challenging things that I sometimes struggle with is a lack of a support system. I feel very alone at times. I’m wondering, do you feel that? Where do you turn for support when you’re feeling like your motivation isn’t where you want it to be?

Dorna: [34:45] I listen to your podcast. But, seriously, I think that’s what I can because I also feel alone. I feel down. There are days that I’m like, “Oh, my God, what did I do? Was it the right decision?” There are days that I doubt myself. I doubt myself as a designer. A lot of downs and downs. Because I always say,

we hear a lot of stories of success.

Joseph: Yeah.

Dorna: [35:14] In social media, and here and there and there. Nobody tells what was it like to get there. That’s the part that is missing. It’s very difficult. There are down days, 100%; lonely days, 100%. I haven’t found really a good solution. But I mean it when I say I listen to other people who are going through the same thing or have done the same thing. Just that makes me feel like I’m not alone. People have done it. Other people know.

Joseph: Absolutely. I think just feeling like it’s a normal thing to go through.

Dorna: [35:53] Yeah.

Joseph: Can be comforting and reassuring, in and of itself.

Dorna: [35:56] One hundred percent, 100%.

Joseph: The last thing I was hoping to talk with you about was just a couple of the lessons you’ve learned along the way of your very interesting career change journey. My first question relates to what you alluded to and have been talking about throughout this whole conversation, which is going from being an outsider to an insider, which is something that I think we all struggle with. Not only when you move to a different country, but also even when you just shift into a new industry or even our new employee at a new company. What have you learned about what it takes to penetrate into these inner circles?

Dorna: [36:33] I think the biggest thing that I have learned, which I’m still learning, let’s say it that way because it’s hard to remember it all the time, is that nothing is personal. It’s not about me that people don’t reply their emails, or it’s not about me that today, somebody doesn’t smile or all of those things, or somebody doesn’t look at your portfolio, or somebody doesn’t take your call, or all of those things that happen every day.

To stay positive is important, and I really know it’s easier said than done because I struggle some days with it myself to remember that I have to stay positive and it will get somewhere. But one has to just do it, to believe in yourself, as cliché as it is, to know that however it will end, you are investing in yourself. Even if not as a professional, as a person. This will definitely make something else out of you. This is your journey. If you trust in that, something good will come out of it. One way or another, it has happened to me. As I said, it is not all the [starry nights].

Joseph: Right. Last question, before we wrap up with what your focused on at this particular moment, and one of the projects that I find interesting. What have you learned about yourself along the way of this career journey of yours?

Dorna: [38:09] Number one, as I said, I think I learned I’m braver that I think. I generally think I learned to trust the fact that this too shall pass, to trust that life goes on. As long as I am enthusiastic about what I’m doing and I am excited about my future, opportunities will pop up. But I always thought I’m a very positive person. But being a positive person and having a drive to drive this positivity is two different things. I could never think that I’m this strong, that I can drive myself regardless of anything, and just believe in the fact that something good is out there. I think I learned that I can be way, way stronger and braver than I think. I’m of proud that. It’s like Dorna is a human being, it’s better than I thought.

Joseph: Well, that’s a good place to wrap this up. I would like to just finish up with something that you’re focused on right now. Can you tell me a little bit more about, first of all, the type of work that you’re doing there at Studio Lakayan? I’d be especially interested here about your YouTube series, “Lakayan Loves.”

Dorna: [39:34] Loves. At the Studio Lakayan, I am very much focused in space design. That means interior architecture, practically in my field of work. It’s space planning, making a good use of the space, functionality, and then to, of course, aesthetics, and moods, and fields, materials, finishes. Sometimes, furniture design, all of those, lighting design. So whatever matters within the space that you use, it can be an office, it can be your residence, it can be a hotel, it can be a shop. It doesn’t really matter. As long as it is a space that is tangible, that is what we do or what I do.

The Lakayan Loves, it’s something that I’m extremely excited about. Because, of course, I create a lot of things myself, but there’s a lot of people in this world, and there are a lot of fantastic designers and architects who are creating beautiful work. I love them, and I see them, and sometimes I just look at them, and I admire their work. I’m like, “See this beautiful thing they have created.” And then, I always felt like it’s such a pity that I can never share it with other people. I don’t like this trend on Instagram where people are just sharing other people’s work and just saying that “credit from this, credit from that.”

Joseph: Right, yeah.

Dorna: [41:03] I feel like there is more into it. There is this beautiful thing that we can look at and talk about. And then, I decided to create this short series where I can, very short, in less than a minute, show some of the works of my fellow colleagues and say what I admire about it. And then, help other people maybe see it as well. Maybe they already are seeing it. I’m not sure. But if not, maybe I give them that eye or those glasses.

Joseph: Very cool. I’m definitely going to check that out myself.

Dorna: [41:38] Yes, please do.

Joseph: If anybody who’s listening to this wants to learn more about you or the work that you do, where can they go?

Dorna: [41:47] Of course, lakayan.no or .com is available. You can check me out there. But I’m also on Instagram and on LinkedIn. Both are available on the website. So I would be happy to hear from people. If they are in Amsterdam, I would be happy to have coffee.

Joseph: All right. Well, we’ll definitely include all those handles and links in the show notes. Wanted to thank you so much, Dorna, for telling us more about your life as an architect and your experiences of living in so many places, and also your recent decision to run your own studio. Best of luck with all your work.

I would encourage people to check out your design work on Instagram, and even just your banner image on LinkedIn, which I told you when we first exchanged messages, isn’t too far off from being my dream home so I may take you up at some point on sketching out what my dream home concept could be.

Dorna: [42:39] It could be. Oh, my god! That’s going to be so much fun. I would love to do that.

Joseph: Me, too. One day.

Dorna: [42:45] Thank you for wishing me luck. I really need luck. I’m wishing luck for everyone who’s listening because I know they are also some people probably who are starting or shifting in their careers. So, good luck, everyone.